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【送料無料】ザ・タイガースCD2組[ザ・タイガース・サウンズ・イン・コロシアム]1970年+[サヨナラ日劇★ウエスタンカーニバル VOL.3]1981年
     

  • Product Quantity
    : 1
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    :9,000円
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  • Listing Date
    :2025年10月22日 19時34分
  • Bidding closes on
    :2025年10月29日 19時34分
  • Auction Number
    :c1098844975
  • Condition
    :State it in the description
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    :No
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    :Yes
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【送料無料】ザ・タイガースCD2組[ザ・タイガース・サウンズ・イン・コロシアム]1970年[サヨナラ日劇★ウエスタンカーニバル VOL.3]1981年1月25日
 
 
【送料無料】でザ・タイガース関連CD2セットを出品致します。レンタル落ちではありません。
 
①[ザ・タイガース・サウンズ・イン・コロシアム]2枚組  1970年8月22日収録作品 POCH-1056/57 1990年CD発売
         *詳しい曲名は、画像5をご覧下さい。
 
②[サヨナラ日劇★ウエスタンカーニバル VOL.3] 1981年1月25日収録日劇 アポロンAPCA-157 1996年CD発売
         *詳しい曲名は、画像6をご覧下さい。
 
①は、
『この[ザ・タイガース・サウンズ・イン・コロシアム]は今から20年前(現在;55年前)の’70年8月22日、東京大田区の田園コロシアムで開かれた「ザ・タイガース・ショー」の模様を収録したライヴ・アルバムで、タイガース解散の1カ月後である’71年2月20日にリリースされている。このライヴを収録した時点でのタイガースはすでにグループ存亡の危機を迎えていた。前年に失踪を企てた瞳みのるが、脱退、もしくはグループの年内解散を強硬に主張していたことから、何度となく深刻なミーティングが重ねられ、’70年に入ってからは、‘解散’という言葉がかなり現実味を帯びたテーマとなっていたのである。また、同じく前年の12月には沢田研二がソロアルバムを発表、70年2月には、岸部修三とシローの兄弟によるプロジェクト・アルバム[サリー&シロー]を発表するなど、メンバーのソロ活動も目立ってきた。グループ活動とは別個にソロ・プロジェクトも行うというのは、当時の海外のロック・シーンの流行でもあり、タイガースとしても軽い気持ちだったのだろうが、ファンの目にはタイガース分裂への不安材料にも写ったかもしれない。少なくともタイガースに転機が訪れていることは強く感じとったにちがいない。そんなタイガースの内部事情だけでなく、音楽シーンもすでにGSブームは完全に終息し、代わって台頭してきたフォークとニューロック(ジミ・ヘンドリックスやレッド・ツェッぺリンなど、英米のロックの新しい波と呼応した)の2大勢力が若者たちの支持を集めていた。タイガースが田園コロシアムでコンサートを開いた’70年8月は、日本で公開中の映画「ウッドストック」が大きな話題を呼び、岐阜県岐阜県椛の湖畔では‘日本版ウッドストック’とも呼べる野外コンサート中津川フォーク・ジャンボリー」が開催されていることでも、当時の状況が伺えるだろう。こうした時代の流れに対応できないGSの多くは解散を余儀なくされ、タイガースもコンサートの1カ月前には、渡辺プロダクションと解散を前提にした交渉に入っていた。GSの王者タイガースの解散は内定し、あとはその幕切れの日をいつんいするかを決めるだけという段階にまで達していたのである。そんな状況の中でのコンサートとなったわけだが、考えてみれば2年前の’68年8月12日には後楽園球場で2万人以上の観客の前で演奏していたタイガースである(ちなみに日本のアーテイストで、武道館、後楽園球場での単独コンサートを最初に実現したのは、矢沢でもキャンディーズでもない、タイガースなのである)。それが今度は田園コロシアムで8千人の観客というのは、ちょっと淋しい気もするが、さすがタイガース!決して黄金時代のライヴ・パワーを低下することはなかった。このライヴ・アルバムから伝わってくる熱気の凄まじさが、それを証明している。現在の高音質のライヴ・アルバムに馴れきった耳には、なんとも隔世の感がある音の悪さ(アナログ盤の歌詞カードには当日のマイク・セッティングの図表が載っていたが、それによるとアンペックスの4トラック・テープ・レコーダーで録音したようだ)だが、それがまた、演奏のパワーや観客の熱狂などすべてを音の塊にして再現しているようで、がえって迫力のあるものにしているようだ。デビュー・アルバムで聞ける初期のタイガースのステージから、このコンサートまでの間の歳月は、そのまま世界的に音楽シーンが過去に例がないほど大きく激しく変化を遂げた時期でもある。タイガース自身も‘GSのプリンス’から本格的なロック・バンドへと脱皮を図っており、それはこのアルバムでも十分に伺える。そういった意味では、当時のタイガースを知らない、タイガースの音楽をシングル曲くらいでしか体験できない若いロック世代に、ぜひ聞いてほしい作品でもある。レコード作品とライヴ活動に統一性がないという、当時のGSの特殊な二重構造の例に漏れず、シングルでは次第に歌謡曲っぽいニュアンスの作品が増えていた後期タイガースが、ライヴでは彼らの本来やりたかったサウンドを追求し、しっかりとロックしてたことを確認できるからである。田園コロシアムのコンサートは、全盛期を過ぎたとはいえ、ナンバー・ワン・グループ・タイガースの面目躍如たるものがある強力なステージを展開。大成功のうちに幕を下ろした。フィナーレの「ラヴ・ラヴ・ラヴ」が演奏される中、ジュリーが‘こんな大勢の前で(コンサートが)できるとは思ってはいなかった’と涙ぐみながら語っているが、解散が内定したネガティヴな状況の中で偽らざる気持ちだろう。解散が公表されていないだけに、熱狂的なファンの声援は逆に心苦しいものがあったのかもしれない。もちろんファンのほうは、そんなジュリーの複雑な胸の内までは気付いていない。しかし、すでにタイガースは解散に向かって歩みはじめていたのである…。』
 
                                                           THE TIGERS PERFECT CD BOX 中村俊夫氏 アルバム解説より
 
『ある意味では開き直りといっていいかもしれない。すでに解散の噂がたっていたタイガースが、自分達のやりたい音楽(ロック)を出し切ったライヴ・アルバム。前半は、デビュー当時からお馴染みのストーンズのカヴァーだけでなく、CCR、ビー・ジーズ、グランド・ファンクのナンバーを熱っぽく歌うロッキン・サイドとなっている。シローが歌うドノヴァンの「ラレーニア」や、ジュリーの「ヘイ・ジュテーム」など、メンバーそれぞれの方向性も明確に出始めている。会場となった田園コロシアムの熱気は凄まじい。この歌声を聞いていると、タイガースが永遠に続いていくような気持になってしまう。』
 
                                       音楽の友社  ラヴ・ジェネレーション1966-1979 小川真一氏ライナーノーツより
 
②は、
1981年の日劇閉幕(=閉鎖/解体)に際し行なわれた「サヨナラ日劇!最期のウエスタン・カーニバル」に出演した5人のタイガース(瞳みのるを除く)の解散から丁度10年ぶりのステージ。すでにDVDも発売されましたが、DVDには①②⑥⑦⑧⑨の6曲のみが収録されていますが、本CDには故・岸部シローの歌う⑤「ワーズ」(加橋脱退後のシローの加入オーディション曲)を含む全9曲が収録されています。またMCもノーカットのようでタイガースのみの音源だけで34分が収録されています。後半⑩~⑬はこの時期に沢田研二が活動していたバンド、オールウェイズとの共演でアルバム[G.S.I LOVE YOU]の収録曲で、同じくサヨナラ日劇ライヴ音源です。
 
 
在庫整理で出品致しますが、申し訳ありませんがバラ売りは致しません。2セットでの購入をお願い致します。大切にしまってありましたが、盤面は奇麗ですが、保管期間は長かったので神経質な方はご遠慮下さい。ノークレームノーリターンでお願い致します。迅速な発送を心がけます。


他にも音楽CD・DVDを中心に色々と出品しています
https://auctions.yahoo.co.jp/seller/22qojKw6yE6T88E1inSw8v3fioHo3?user_type=c


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[Free Shipping] The Tigers CD 2 sets [The Tigers Sounds in Coliseum] 1970 [Goodbye Nichigeki ★ Western Carnival VOL.3] January 25, 1981

[Free shipping] We are offering 2 sets of The Tigers related CDs. Not rental copies.

①[The Tigers Sounds in Coliseum] 2-disc set Recorded on August 22, 1970 POCH-1056/57 CD released in 1990
*For detailed song titles, please see image 5.

②[Goodbye Nichigeki ★ Western Carnival VOL.3] Recorded on January 25, 1981 Nichigeki Apollon APCA-157 CD released in 1996
*For detailed song titles, please see image 6.

① is "This [The Tigers Sounds in Coliseum] is a live album that recorded the "The Tigers Show" held at Denen Coliseum in Ota Ward, Tokyo on August 22, 1970, 20 years ago (present; 53 years ago), and was released on February 20, 1971, one month after the Tigers disbanded. At the time this live was recorded, the Tigers were already facing a crisis of survival. Hitomi Minoru, who had planned to disappear the previous year, had been adamant about leaving the group or disbanding it by the end of the year, so there were many serious meetings, and by the start of 1970, the word "disbandment" had become a very real topic. Also, in December of the previous year, Sawada Kenji released a solo album, and in February 1970, Kishibe Shuzo and Shiro released a project album [Sally & Shiro] by the brothers, and the solo activities of the members were also becoming more noticeable. Doing solo projects apart from group activities was a trend in the overseas rock scene at the time, and the Tigers probably didn't think much of it, but fans may have seen it as a cause for concern that the Tigers might split up. At the very least, they must have strongly felt that the Tigers were at a turning point. Not only was the Tigers' internal situation like that, but the music scene had already seen the GS boom come to an end, and instead, the two major forces of folk and new rock (which responded to the new wave of British and American rock, such as Jimi Hendrix and Led Zeppelin) were gaining support from young people. In August 1970, when the Tigers held a concert at the Denen Coliseum, the movie "Woodstock," which was being shown in Japan, was a big topic, and the outdoor concert "Nakatsugawa Folk Jamboree," which could be called the "Japanese version of Woodstock," was held on the shores of Lake Kaba in Gifu Prefecture, which gives an idea of the situation at the time. Many GS groups, unable to adapt to the times, were forced to disband, and the Tigers had also entered into negotiations with Watanabe Productions on the premise of disbanding a month before the concert. The disbandment of the GS champions, the Tigers, had been decided, and it had reached the stage where they only had to decide when to end the group. The concert was held under such circumstances, but if you think about it, the Tigers had performed in front of more than 20,000 spectators at Korakuen Stadium on August 12, 1968, two years earlier (Incidentally, the first Japanese artist to hold a solo concert at the Budokan and Korakuen Stadium was not Yazawa or Candies, but the Tigers). It may seem a little sad that they will now perform in front of 8,000 spectators at the Denen Coliseum, but as expected of the Tigers! They never lost their live power in their golden age. The tremendous heat that comes through in this live album proves it. To ears accustomed to today's high-quality live albums, the poor sound quality feels like something from another era (the lyric card on the vinyl record had a diagram of the microphone settings on the day, which showed that the recording was made with an Ampex 4-track tape recorder), but it also seems to reproduce the power of the performance and the enthusiasm of the audience as a mass of sound, making it even more powerful. The years between the early Tigers' stage, which can be heard on the debut album, and this concert were a time when the music scene worldwide underwent unprecedented changes. The Tigers themselves were trying to transform themselves from 'Prince of GS' into a full-fledged rock band, and this album is enough to show that. In that sense, this is a work that I would like the young rock generation, who do not know the Tigers of that time and can only experience the Tigers' music through their singles, to listen to. This is because, like the unique dual structure of GS at the time, where there was no consistency between their records and live performances, the Tigers' singles in the latter half of their career gradually became more pop-like, but in their live performances, you can see that they pursued the sound they originally wanted to create and rocked hard. The Denen Coliseum concert, although past its heyday, showed a powerful stage that was worthy of the number one group, the Tigers. The concert ended with great success. As the finale, "Love Love Love," was played, Julie said with tears in her eyes, "I never thought we would be able to perform in front of such a large audience," but this was probably her true feelings in the negative situation of the band's disbandment. Since the disbandment had not been made public, the enthusiastic cheers of the fans may have been painful for them. Of course, the fans were unaware of Julie's complicated feelings. However, the Tigers had already begun to walk towards their disbandment... 』

From the album commentary by Toshio Nakamura of THE TIGERS PERFECT CD BOX

"In a sense, it could be said that this is a resignation. The Tigers, who had already been rumored to be breaking up, released this live album, playing the music (rock) they wanted to play. The first half is a rockin' side, with passionate songs by CCR, Bee Gees, and Grand Funk, as well as covers of the Stones, which have been familiar since their debut. The direction of each member is beginning to become clear, with Shirou singing Donovan's "La Rene" and Julie singing "Hey Je T'aime." The heat at the Denen Coliseum, where the concert was held, was incredible. Listening to this singing, it feels like the Tigers will continue forever. 』

Ongaku no Tomosha Love Generation 1966-1979 Liner notes by Shinichi Ogawa

② is the first performance in 10 years since the breakup of the five Tigers (excluding Hitomi Minoru) who appeared in "Goodbye Nichigeki! The Last Western Carnival" held at the time of the closing (= closure/dismantling) of Nichigeki in 1981. The DVD has already been released, but it only contains six songs ①②⑥⑦⑧⑨, but this CD contains a total of nine songs, including ⑤ "Words" sung by Shiro (Shiro's audition song after Kahashi left the band). The MC also seems to be uncut, and 34 minutes of recordings are just the Tigers. The latter half, ⑩-⑬, are songs from the album [G.S.I LOVE YOU], performed with Always, the band that Kenji Sawada was active in at that time, and are also live recordings from the Goodbye Nichigeki.

I am listing these items to clear out my inventory, but unfortunately I will not be selling them separately. Please purchase two sets. They have been carefully stored, and although the discs are clean, they have been stored for a long time, so please refrain from purchasing if you are sensitive about such things. No claims or returns will be accepted. I will do my best to ship as quickly as possible.

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    Product name: 【送料無料】ザ・タイガースCD2組[ザ・タイガース・サウンズ・イン・コロシアム]1970年+[サヨナラ日劇★ウエスタンカーニバル VOL.3]1981年
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