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Yahoo Bid Antique Collections Handicrafts Ceramics Chinese Pottery Joseon
李朝 黄伊羅保茶碗
        

  • Product Quantity
    : 1
  • Starting Bid
    :1,000円
  • Highest Bidder
    : s.b / Rating:18
  • Listing Date
    :2026年01月29日 10時37分
  • Bidding closes on
    :2026年02月05日 21時27分
  • Auction Number
    :t1217681987
  • Condition
    :State it in the description
  • Automatic Extension
    :Yes
  • Authentication
    :No
  • Early Closing
    :Yes
  • Can I return the product?
    :no
  • Description
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Notes
  1. Fragile items are only shipped by air, while non-fragile items can be shipped by sea.
伊羅保の特徴と本作
伊羅保(いらぼ)は、李朝時代(15-16世紀)に朝鮮半島南部の窯で焼かれた雑器を、桃山時代の日本茶人が茶碗として見立てたものです。名称の由来は諸説ありますが、「鼠色(ねずみいろ)」を意味する朝鮮語「(チラボ)」(李朝陶器産地の慶尚道の言語習慣推定した説)から転じたとする説の妥当性が有力です。
釉薬と焼成の特徴
本作は典型的な伊羅保の特徴を備えています:
  1. 黄褐色の釉調 - 鉄分を多く含む釉薬が酸化炎で焼成され、蜂蜜色から黄土色の発色を呈しています
  2. 荒々しい刷毛目 - 外側全体に見られる大胆な横方向の刷毛目は、素早く釉薬を掛けた民窯の特徴
  3. 釉薬の流れと溜まり - 口縁から胴へ向かって釉が厚く溜まり、濃淡の景色を生んでいます
  4. 鼠色釉薬 - 高台周辺に見られる鼠色釉薬は前記の説を裏付けている伊羅保の見所
成形と高台
轆轤目が明瞭に残る力強い成形です。高台は大きく削り出され、安定感があります。畳付(たたみつき)の土見せは赤褐色を呈し、鉄分の多い粗土の使用を示しています。
見込みの景色
中心部の渦巻き状の釉調は、茶溜まり(ちゃだまり)として茶席で珍重される要素です。内側は外側より釉薬が薄く、淡い黄褐色の柔らかな発色が見られます。
時代判定(推定)
土質の粗さ、成形の素朴さ、釉薬の自然な流れ、経年による釉面の艶の落ち着きから、16世紀後半から17世紀初頭の作と推定されます。慶尚南道地域の窯の可能性が高いと考えられます。
 
李朝 伊羅保茶碗
朝鮮王朝時代 16世紀後半~17世紀初頭
朝鮮半島南部の民窯で焼かれた伊羅保茶碗。蜂蜜色から黄土色へと変化する釉調が、荒々しい刷毛目とともに器面全体を覆っています。外側には大胆な横刷毛の痕跡が明瞭に残り、釉薬は口縁から胴部へ向かって厚く流れ落ち、濃淡の景色を生み出しています。
高台は力強く削り出され、畳付の土見せは鉄分を多く含む赤褐色の粗土を露わにしています。高台周辺には鼠色の厚い釉薬が見られ、この伊羅保茶碗の景色となっています。
見込みには渦巻き状の釉調が茶溜まりを形成し、使い込むほどに味わいを増す景色です。内側は外側より釉薬が薄く、柔らかな黄褐色の発色が茶の色を美しく引き立てます。
伊羅保は本来、朝鮮の日常雑器でしたが、桃山時代の茶人がその素朴な力強さと自然な景色に美を見出し、茶碗として見立てました。千利休も伊羅保を好んだとされ、侘茶の精神を体現する茶碗として珍重されてきました。
本作は成形の力強さ、釉調の変化、経年による艶の落ち着きから、16世紀後半から17世紀初頭の作と考えられます。時代を経た使用痕跡が見られますが、構造的な損傷はなく、茶碗として使用可能な状態です。
寸法:
  • 口径:13.5cm
  • 高さ:7.8cm
  • 高台径:5.5cm
  • 重量:296g
付属品: 桐箱(箱書:伊羅保茶碗)
状態: 経年による釉面の艶の変化、微細な貫入あり。ニュウ・欠け・修理なし
 
Auction Description (English)
Yi Dynasty Irabo Tea Bowl (Ido-type)
Joseon Dynasty, Late 16thEarly 17th Century
An Irabo tea bowl fired in a southern Korean folk kiln. The glaze transitions from honey-gold to ochre tones, applied with bold horizontal brush strokes visible across the entire surface. The glaze flows thickly from the rim toward the body, creating rich variations in color depth and texture.
The foot is powerfully carved with exposed reddish-brown clay rich in iron content at the foot ring. Around the foot, the glaze exhibits characteristic "kairagi" (梅花皮)—shrinkage patterns highly valued in Irabo wares.
The interior bowl features a spiral glaze pattern forming a "tea pool" (chazamari) that deepens with use. The inner glaze is thinner than the exterior, presenting a softer yellowish-brown tone that beautifully complements the color of tea.
Irabo bowls originated as Korean utilitarian vessels but were elevated to tea ceremony status by Momoyama-period tea masters who recognized beauty in their rustic strength and natural aesthetic. Sen no Riky particularly favored Irabo wares, considering them embodiments of wabi-cha principles.
The robust forming, glaze variations, and mellowed surface luster suggest production in the late 16th to early 17th century, likely from kilns in South Gyeongsang Province. Signs of age-appropriate use are present, with no structural damage. The bowl remains fully functional for tea ceremony use.
Dimensions:
  • Diameter: 13.5 cm (5.3 in)
  • Height: 7.8 cm (3.1 in)
  • Foot diameter: 5.5 cm (2.2 in)
  • Weight: 296 g
Accessories: Paulownia wood box (inscription: "Irabo Tea Bowl")
Condition: Age-appropriate glaze mellowing with fine crazing. No cracks, chips, or repairs.

 
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    Product name: 李朝 黄伊羅保茶碗
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